There it was, my shiny new Mustang that I had just purchased, much to everyone’s envy. I had recently graduated college and had happily begun my first office job in the heart of downtown Sacramento, California. I had driven the car to work, and parked in our company’s parking lot just as I did every day, except today I had a brand new car! I walked out, exhausted from the day’s work, and was shocked to see that someone had keyed the car all the way down the driver’s side. It was a passionate keying too, someone put a lot of bitterness into it.

This could have been a random occurrence, or it could have been executed by one of the catty women in my office. Sometimes people can just be vicious because they are jealous. At the time, we didn’t have social media, so I didn’t experience the types of bullying that social media can sometimes facilitate, but I definitely had some anger aimed at me from behind cubicle walls. These days, people tend to hide behind their keyboards.

I recently had the privilege of interviewing Marina Nestel, Founder and CEO of The Little Black Book, one of South Africa’s leading PR and events companies. Her client list features high-profile brands and personalities, including H&M, Hugo Boss, Tommy Hilfiger, One & Only Hotel, Richard Branson, Sol Kerzner, Chivas Regal, Cartier, and many others. The Little Black Book specializes in luxury brand activations, high-profile events, and cause-driven campaigns that continue to shape the PR industry in South Africa. Marina is known as the Queen of PR with a big heart.

I’ve learned that even people with the biggest of hearts can face the wrath of the green-eyed monster.

Marina worked her way up from a waitress, cocktail bartender, and hostess in five star hotels in London, to interning for the esteemed global PR company Purple PR. She then moved back to Cape Town, South Africa and worked for Dunhill at British American Tobacco. The high end circles she moved in allowed her to build her network and she decided to start her own company, The Little Black Book.

She began The Little Black Book in her home out of the back of the laundry room with no support, in fact being told frequently to “get a proper job”. She proved the naysayers wrong as the business exploded in less than a year, becoming an internationally renowned events and public relations agency. She not only reached success with a long list of career highlights, but she did so as a working mother of a newborn baby.

It wasn’t all smooth sailing though. After her marriage collapsed and a series of unfortunate events, Marina was separated from her child and subjected to many humiliating rules and regulations policing even phone calls with her son. Then the social media smear campaign began.

In a very well-coordinated series of attacks, Marina was deemed a prostitute, drug addict, and everything under the sun except an alcoholic. Marina admits very openly that she is a recovering alcoholic and works to bring awareness for people who struggle with addiction.

Thus began Marina’s parental alienation nightmare. Parental alienation is when one parent intentionally seeks to damage a child’s relationship with the other parent. This can be done in a number of ways including creating a negative narrative about the other parent, discouraging the child from spending time with that parent, making that time uncomfortable, and in more extreme cases, encouraging the child to stop contacting the other parent. The child is psychologically affected during this experience and often into their adult lives. Marina has no contact with her son now, but she still attempts to send him photos and videos and she calls him regularly, to no avail. She explains that she will never stop trying to connect with her only child.

As a PR entrepreneur, Marina understands that she is sitting on a life story which needs to be heard. She’s a survivor, she’s resilient and she is an inspiration to victims of parental alienation and cyber bullying around the world. She would like to make people aware about the various trials and tribulations she has been subjected to, including vexatious litigation. Vexatious litigation is meant to bother, embarrass, and/or cause legal expenses to the defendant.

Though the cyber bullying, harassment, and slander still goes on, Marina managed to leave South Africa where she had been tormented for so long. Marina has since swapped her work look of stilettos and couture dresses for a bikini. She swims in a warm ocean on a tropical island all day. She eats in gourmet restaurants and relaxing in a hammock is a regular occupation. Her “happily ever after” is with her fiancé and her career as a human rights public speaker for parental alienation and cyber bullying, as well as running her global PR and events business all from a blissful, peaceful paradise in Thailand. To her trolls and haters she has an attitude of “in the bin you go with the rest of the rubbish”, and she keeps moving forward.

As a wise friend once told me, the best revenge is living well. Marina Nestel embodies this phrase.

If you would like to learn more about Marina Nestel and The Little Black Book, please visit thelittleblackbook.co.za.

This article was originally published on OpsLens.com.

Our family friend’s eyes narrowed as he peered over to see what I was reading in the back seat of the car. The look of shock when he realized was priceless. I was in the third grade, and the book was The Shining by Stephen King. My parents looked on proudly as they realized that their child loved reading. At a very young age, I had graduated from Harry the Dirty Dog and Rotten Ralph to full length novels, and horror was definitely my thing. It began in the third grade with the first novel I read, The Amityville Horror. I was that kid who would take great joy in huddling in a dark closet with my friends and telling them scary stories that I had concocted myself. I was the one who would leave everyone at the family gatherings with nightmares of my tales. I loved horror movies, scary books, all things ghostly, and haunted houses.

Being as enamored as I am still, to this day, with all things spooky, I was thrilled to find out about BloodManor, New York City’s premier haunted attraction. BloodManor is a first-class haunted house attraction with approximately 10,000 square feet of themed rooms, corridors, and a labyrinth of passageways. BloodManor is designed to be the most intense, creepy, and scream-inducing haunted house attraction in New York State.

The building at 359 Broadway in the Tribeca area of New York City, known as BloodManor, has quite a spooky history. Built in 1852, it was used by photographer Matthew Brady to photograph some of America’s most famous, and infamous, people. President Abraham Lincoln was among some of the famous people photographed in the building. During the Civil War, Brady was scorned for adopting a mobile studio to capture some of the world’s most graphic images of battle. The public criticized him for “making a buck” off of the daily tragedies that were ravaging the country. For all the criticism he received, he was documenting and capturing the souls of all of the men who were fighting for their country.

When Brady returned to his studio at 359 Broadway, he noticed something interesting in every photo that had been developed within the rooms of the third floor. In the photographs, the men’s faces appeared to be melting, strange apparitions floated above each soldier in the fields, and those men who were closer to the lens had black eyes.

In 1859, Brady closed his studio due to the “incessant screams of the photographed men”. It is said that if one travels the halls of the third floor throughout the night, you will hear the faint sounds of the camera taking a photograph followed by the screams of the men in the final moments of their lives.

After Brady, much was unknown about the tenants of the building up until 1943, when two brothers along with their brother-in-law and his brother purchased and operated a textile wholesale business at 359 Broadway. The business flourished and continued through the early 1970s, but in 1958 a huge fire at a nearby building ruined many lives in the area forever. One young firefighter named Wilson Palmer saved over a dozen women and children during that horrible night, but his own life could not be saved in the end. In the days following the fire, Wilson took to taking nightly walks around the neighborhood. After a few weeks of these evening strolls, Wilson complained of hearing horrible screams coming from the textile factory at 359 Broadway. He would swear there were young men dying in there, yet everything was dark and there wasn’t a soul in sight.

Approximately twenty four days after the fire that he fought so heroically, Wilson hung himself from the rafters in the firehouse. In his hands he had clenched a five dollar bill, with Abraham Lincoln’s eyes blacked out and written in calligraphy found only in letters written with a feather dip pen in the early 19th century, were the words “NO PHOTOS”.

The third creepy story that is known about the building at 359 Broadway involves Brooklyn mob boss “Crazy” Joe Gallo. Gallo was killed at Umberto’s Clam Bar in 1972 by someone connected to the Colombo family. The driver of the car that night, a man by the name of Luparelli, ended up going to the FBI claiming that he was being followed by loud screams and woken by them in the night. It was discovered that Luparelli and his family were former tenants of the building at 359 Broadway.

In current times, the events of 2020 and the sadness, loneliness, isolation, and loss that was caused has seemingly incited more activity throughout the halls of BloodManor. Many local residents have come to the BloodManor staff with strange stories from the past couple of months. Some claim they see flashing lights from the third floor of the building – flashing lights similar to that of an old camera. Others claim they hear gunshots coming from within the building, and there are also stories of seeing shadows of men with tall top hats passing through the windows illuminated by the street lamps outside. All of this activity serves to heighten the excitement of BloodManor’s 21st anniversary Halloween season. Beginning in September, BloodManor opened its doors to the public and promises the scariest season they have ever had.

This year, BloodManor boasts the addition of three new rooms and brand new costumes. The Manor is open every weekend and some weekdays beginning in September and running through November. I know my inner horror-aholic would love to go!

For more information about BloodManor, please visit www.bloodmanor.com.

This article was originally published on OpsLens.com.

Something grey and covered in whiskers was peeking out of the water.  A large grey body surfaced as the large nostrils of the creature sucked in air.

“What is that?” My friend shrieked, looking down into the canal.  I was flabbergasted; this friend of mine had lived in Florida for most of his life and yet he had never seen a manatee!

“Do they bite?” He was fascinated by this large creature and I proceeded to teach him about manatees.

It dawned on me that some people who live right on the outskirts of wild areas and wildlife never get to see it, or experience it.  These people, once they learn about the wildlife surrounding them, care more about preserving it.  It’s just a natural result of being exposed to nature and learning about it.

I recently had the pleasure of interviewing a man who knows a lot about this phenomenon.  Fabian Mdluli is a wildlife photographer and filmmaker. He recently completed Lauren Arthur and David Eastaugh’s specialized, immersive wildlife filmmaking course that was launched in August 2024. The course covers not only wildlife filmmaking, but also gives students a complete immersion into the African wild. There is a module on animal behavior, ecology, phenomenology and ethics of wildlife filmmaking presented by Lauren. The course introduces the students to the field of impact producing with a guest speaker and helps guide the students in their efforts to combine storytelling with social and behavioral science to drive positive change. Their expert tracker takes students into the bush on foot and teaches them the basic tracks and signs and how to read the environment around them for more immersive filmmaking. David teaches the students to understand how to use the equipment, build specialized wildlife filming rigs, filming techniques and also how to work with human talent. There is also an extensive module on post-production, including how to shoot for the edit and how to manage one’s media.

Fabian met Lauren Arthur and David Eastaugh through Wildshots. They recognized his passion for wildlife and recommended him as a candidate for the Too Wild filming course, which he was thrilled to join.

Fabian, a twenty-three year old man from Acornhoek in the Mpumalanga province of South Africa, thrived in the intensive four week course given in the Timbavati Game Reserve with Too Wild and is now well on his way to achieving his dream of becoming a wildlife filmmaker. He describes the filmmaking course as transformative, explaining that he learned practical skills like camera work, editing, and storytelling. It boosted his confidence and allowed him to connect with other aspiring filmmakers.

Fabian has been a part of WildShots Outreach since 2022 and has a background in stills, but with his new skills, he now plans to create a documentary focusing on wildlife conservation to raise awareness. He explained that even though he grew up in a small village in Acornhoek, surrounded by beautiful nature and game reserves, he never had a chance to experience the wildlife firsthand. This is not uncommon, as my interview with David Eastaugh revealed. David previously explained to me that the communities living on the other side of the fence of the game reserves are very separate and removed from what is going on inside. Many of the people haven’t even seen an elephant. David believes this needs to change and is a crucial link moving forward in South Africa. Enter Too Wild’s wildlife film school in the Timbavati Game Reserve with its community-driven focus to fully sponsor a local candidate from one of the communities on the periphery of the reserve to complete the course and become qualified as a wildlife filmmaker. The initiative is supported by the Timbavati Foundation, WildShots and RuggedWear and it is crucial to build the next generation of wildlife filmmakers, like Fabian.

Fabian shares these beliefs and is in fact a perfect example of the initiative’s success. He hopes for increased conservation efforts and community involvement to help protect wildlife. He, like David and Lauren, believes education and awareness can lead to better protection for habitats and species. He knows firsthand how many people in South Africa lack access to wildlife parks and believes it is important to provide opportunities for local communities to experience nature. He knows that when people connect with wildlife and understand it, as well as ecosystems, they are more likely to care about protecting it. We all have a role to play in preserving our planet, and conservation education is key.

If you would like to learn more about Fabian Mdluli and Too Wild, please visit toowild.co. You can also find Fabian on Instagram @fabianmdluli.

This article was originally published on OpsLens.com.